Wednesday, May 20, 2009
Bluebell Dell
Friday, October 10, 2008
Hiroshima Mon Amour

Beautiful and sad in black and white, this film tells the story of a French woman in post-war Hiroshima, whose love affair with a Japanese man unleashes tormenting memories of her forbidden love with a German soldier, the rejection she endured from her village, and loss. The flashback sequences and image montages certainly seem ahead of their time and capture most engagingly the haze of fumbled memories intertwined with present-day happenings. I'm also intrigued by the pairing of a white woman and an Asian man in a 1959 film, surely this was groundbreaking stuff in its day? Eiji Okada was rather the dish!
A Permanent Part-timer in Distress
A Permanent Part-timer in Distress, a doco filmed by and featuring narrator Iwabuchi-san, chronicles over one year his descent into the despair of furiita living. A temporary worker at Canon assembling printer cartridges, Iwabuchi-san earns around 1,200 yen per hour. With monthly takings of around 140,000 yen, and with rent and a student loan eating up a big part of his wages, he is usually only left with 60,000 yen to last the month. He lives in agency accommodation, even his bike is provided by the agency (this was one of the many disadvantages of working at Schoolhouse Usagi: your job pervaded private space, at times causing a strange claustrophobia that discouraged homeliness). Temporary workers are cheaper for companies to hire. Holidays, always eagerly anticipated by full-timers, are something to dread for furiitas: if you don't work, you don't get paid. Instead of soaking up the summer, Iwabuchi-san heads to Tokyo in search of dayjobs that will keep him going through the holiday period. His coworkers are eager to escape this cycle of temporary jobs: a married man with a kid on the way is too ashamed to reveal his part-time status to peers. Courted by journalists, Iwabuchi-san finds himself a sometimes reluctant media darling in the TV spotlight. With part-time contracts on the rise in Japan and fewer opportunities for full-time jobs, could this spell the end for the cradle-to-grave career model previously lauded in working Japan? What does the future hold for this generation of workers and will the government do anything about it?
A thought-provoking debut, this doco is a must-see peek into the changes currently taking place in Japanese workplaces and society.
Thursday, August 28, 2008
Remains of the day
In Japan, recycling bays were everywhere at big events like this. Interesting too is that since my move to Blighty, my everyday household bins have been reduced from this ...
to this...
The bin at the front, right, is food waste which will of course break down fragrantly and naturally. Behind that, the tins, paper packaging & c are said to be recycled (although their lack of separation at home has me suspicious they are not recycled properly by the collectors). The bin on the left goes straight to landfill: mostly plastic packaging and everything else. Ye Guide to Recycling brochure places lots of emphasis on the food disposal, as if this is a radical idea. Please refer to the Far East for some recycling tips, Bury-Me-Under Park Council! *waggles finger in an easterly direction*
The Carnivalesque
Sir S, Her Mazness and I were swept along with the tide of people on Notting Hill's suburban streets. We snacked on orange paddies (spicy pasties), supped coconut water, and grooved to reggae and electronic offerings at the various street dance parties around the carnival. Many a rump was shaken in a provocative manner, and many a spangled cleavage glittered in the sun as the carnival parade wend its way through the burgeoning streets. I kept my eyes peeled for Mr Brett Anderson, who is known to live in these parts, but he and his fringe were most likely safely ensconced somewhere more subdued, such as Hampstead Heath. We caught the Tube just in time before wanton hooliganism marred the day's festivities.
I say, I have never lived in so multicultural a place as London and I am simply absorbed in observing the array of people, interesting fashions & c. Near my lodgings here in Bury-Me-Under Park, whilst waiting in line for the omnibus, or wandering the markets, it is not uncommon to be standing next to a woman in a flowing burqa, or a bejewelled sari, or a towering African headscarf, or next to a man in a kurta shirt, or with a sweep of long dreadlocks. As I telegraphed to His Edenic Maj only tonight, I feel as if I'm not in England at all, but in a futuristic metropolis in the sky.
Thursday, August 21, 2008
Things that one doesn't see in the Nippon ...
(1) people shouting / arguing / gesticulating madly / cursing / complaining loudly in public;
(2) open demonstrations of road rage, such as a driver slamming their brakes on their automobile, clambering out of said automobile as if it were on fire, running to the car behind them, doing a little dance of fury before the driver of the latter car and shaking one's fist at said driver, screaming in a high pitch at said driver and using multiple swear-words before dashing back to one's automobile and screeching off at high speed;
(3) kissing in public (with lots of tongue);
(4) footpaths besmirched with mounds of dog poo, so that clouds of flies arise from them in passing as one walks by, evoking disturbing images of Biblical pestilence;
(5) run-ins with mad people in front of the supermarket;
(6) supermarket staff at the register tossing food items in one's general direction;
(7) a complete and utter lack of customer service;
(8) lattes the size of a small baby's bath;
(9) men and women spitting great globs in public, of similar proportions to (8);
(10) men and women wearing heavy amounts of fragrance, perhaps aiming to mask the stench of (4).
I left my friends at Matsue Station and my heart in Japan
Japan was home to me and although I was an outsider in some ways, I felt like I belonged there, like I was a part of the place and it an important part of me. Beautiful Nippon, you will be much missed.
One day, I'll be back.
Last summer in Nippon
Old Matsue
As students at St Hearn's hurriedly scribbled their last assignments and readied themselves for some serious swotting for finals, I savoured my last month in Japan living at the house of friends in the charming older quarter of Matsue, Okudani-cho. The local streets were narrow and lined with shambling old wooden buildings, windows gated with wooden bars like insect cages, and some buildings were hung with ornately written kanji signs advertising various businesses, from soy sauce to sake, and kimonos to tailoring.
Precarious during peak hour, the narrow alleyways were abundant with anarchic school students riding along the wrong side of the road, messaging on their keitais and going like the clappers, completely oblivious to wandering ojiichans, little kiddies and the likes of law-abiding citizens such as Miss Ember. Things became more complicated when Strawberry Cones delivery boys on scooters or an omnibus were thrown into the mix. The omnibus in particular would hoon down the narrow streets, scattering gossiping elderfolk, vegetable sellers and snoozing cats in its wake. When crossing the road, most Japanese wait for the green man to doff his 30s gangster hat before walking forth onto the tarmac, but when it comes to riding bicycles or driving any kind of vehicle in a confined space, the traffic is as heart attack-inspiring as an autorickshaw joyride through New Delhi.
Around the corner was the samurai district and the castle, perched above a forest that vibrated with the percussion of cicadas and, in the evenings, echoed with the alarming lowing of the bullfrog. From here I would cycle to Kyomise, a charming area of Taishoroman style, coasting through the mix of European-style buildings and Japanese wooden ryokans and other places of entertainment, to the elegant bridges aglow with flickering faux-lantern light, and along the rivers lined with weeping willows and the warm buttery light of old-fashioned yellow street lamps that budded between the foliage.
San-in Beach Party
Golly, it's been a while between posts, and much has come to pass since my foray into host bars. But first, after my birthday celebrations in June came the San-in Beach Party in July. With Miss T and the team from Matsue and some Tottori tomodachi, we pitched tents on the beach after sunset, gulped down some Cassis Orange from the beach bar, pranced to trance on the sands, chilled out in the chill-out tent, then got down and dirty in the dance halls with the Dex Pistols who mixed up 80s and 90s faves with funsome bleepery. Miss T spent much of the daytime bobbling on the sea upon her inflatable softcream, and Mr C and I took to the waters in his rowing boat, and ended up floating backwards in the wrong direction towards North Korea. The gals and I took a bellydance workshop on the sands, and in the evening twirled sparklers by the sea and admired the glow of ships on the horizon. Fun times!
Tuesday, June 03, 2008
Tale of a Hiroshima love thief
Most friends of mine will know that I am *rather* partial to elegant, pretty men with pixie-like hair and features, and long seductive fringes. I have oft swooned before the shrines of Mssrs Anderson, Depp and Bloom, and find that many young Japanese men put high stock in a suave appearance, with great detail put into hair, clothing, accessories & c. I especially like the effort invested in Japanese men's hair, in particular the hair-style sported by some J-pop stars and, er ... hosts. For some time I've been cradling a desire to visit a host bar and, as my last days in Japan loom near, I thought my birthday would be a perfect chance to experience a host bar.

as illustrated by this anime character in Final Fantasy VII
Fearful of the High Prices of that documentary, I was pleasantly surprised by the Beginners' Set of 3,000 yen ($30 in the home currency) per person for limitless all-you-can-drink cocktails and ale. The Managing Host, a twenty-something gent with hair so colossal it out-towered that of Robert Smith in his backcombing days, guided us through the Boy Menu which featured glamourous poses of the hosts in full kit: designer suits, white shirts and be-spiked hair. We could select as many as we liked, so I picked out 5 deliciously fey chaps, including the charming Mr T and the dishy Mr S, dangerously young and manga-haired.
For those not familiar with host bars, the concept is the alluring brother of the hostess bar, where customers pay to be entertained by the conversation and attentions of attractive and charming members of the opposite sex. Usually you buy drinks for them and yourself. The drinks are often marked up, and the champagne is notoriously expensive ($100-$400). The focus is on talking and entertainment, flirtation and flattery, and usually there is strictly no kissing or naughty acts (unless your hostess/host decides to see you on the side).
The hosts rotated every 20 minutes and chattered and joked, fetched us drinks, wiped away the moisture from our coasters (nice touch!), lit cigarettes and generally waited on us. S-san and a couple of others were trainee hosts (their second shift in some cases!), and they were rather shy and unsure of how to lead the conversation. The older hosts were more confident and vivacious conversationalists. We learned that common customers include young gals going out for a night on the town, middle-aged women, hostesses, and strangely, couples! Young women visit the host bars as an entree to an evening of dancing, while hostesses often clamour into the host bars in the wee hours after their own shifts of hostessing have finished, to enjoy having handsome attendants waiting on them for a change.
Mr S was 18 and a university student. He confessed his girlfriend disapproved of his weekend job. It was noted later that he sported a love-bite on his neck, and it's possible that his worried beau planted it there to fend off over-eager customers! Mr T and I chatted about the British music halls, he being a devotee of Radiohead, The Arctic Monkeys and the like. Certainly good practice of the Nihongo! The men were very gentlemanly and respectful, and were happy to chat openly about their job and its gruelling demands. They often work 12am until 7am, constantly talking with customers and downing any drinks that are bought for them (and snuggling up to the regulars!) and after that must stay behind to tidy up the bar, & c, often not leaving until 9 or 11am. For some they then go on to university or another job, so it's common for them to fall asleep in the middle of class. How can I ever look my sleepy male students in the eye again, dear reader?
Other customers in the bar were regulars, and they were on very familiar terms with their hosts. The chaps tousled their customers' hair, cuddled them or tossed them about playfully on the sofa (most diverting!). A few of the women were on their own, and most of them were very attractive twenty-somethings. The flirtiest occurrence was when S-san invited me to stroke his magnificent manga-styled do. How could a gel refuse? For those interested, it was partially hardened with hairspray, but mostly soft and silky *swoons* In fact, I was in a state of swoon for most of my time there. I have never seen so many handsome, New Romantic-looking men in one room since my heady goth club days of the late '90s. Simply marvellous!
For more on the world of hosting, particularly the exclusive bars, give the doco Tale of an Osaka Love Thief a peek.
* This bar also has a most inviting hidden room tucked away behind a sliding bookcase door!
Saturday, May 24, 2008
Curious adverts on The Box
At the gym this morn - while taking a jog on those whizz-bang running machines in my stripy boyleg gym kit - I was accosted by some most curious advertisements on that box device the manager always insists on having switched on. It being an hour before lunchtime, every channel on the blasted thing was screening food advertisements or cooking shows, from deep-fried nori stuffed with sea urchin, to shellfish and sushi. It made one feel mighty peaky to be giving it a hard slog on the running contraption, with mashed sea urchin innards squelching about before me. Amidst these gastronomic rumblings, out sprung a commerical for my fave chocolate snack, Kinoko no Yama (Toadstool Mountain).
Since living in Japan, I have often observed the Japanese obsession with cute little toadstools and have become obsessed with them myself. They adorn everything. Eco-bags, wrapping paper, furoshiki cloths, fridge magnets etc are emblazoned with Eurokitsch red-capped, white-spotted toadstools. In fact, so severe is my toadstool fixation, that I have acquired the nickname "Kinoko-chan" among my friends. The toadstool chocolates have a biscuit stalk with a chocolate cap - very charming bite-sized pieces! However, in the advertisement, a pretty young woman buys a box of the stuff at a convenience store, and whilst turning away from the shelves, a rather aggressive chocolate toadstool pops out from a nearby shelf and harangues her (over what, I know not). Now in the advert, the animated kinoko is not the same size as its chocolatey namesakes. In fact, it looks like a small, stunted willy. The overly swollen chocolate cap exaggerates this likeness. And for some reason, it hops about with an evil menacing look, a bit like Chucky in Child's Play. The young woman raises her eyebrows and looks discomfited. Perhaps the chocolate toadstool has put on the hard word? Anyway, the woman's reply mustn't have been what he wanted, for he hopped about on his stalk in a fine rage and at the climax of this amusing show of apoplexy, his cap popped off with an amusing "pfffft" and went sailing through the air. Capless, the poor chocolate kinoko crumpled to the floor (or, should I say, shelf), and the young woman dashed away.
Is my recent visit to the Willy Shrine messing with my mind? Dear reader, I hope not!
While I had to cling to the banister of my running machine for support after this surreal attack of deranged phallic toadstools made of chocolate, another strange advert announced itself. And again, it was about food. A man cooks kitsune udon noodles (literally "fox" noodles), and when he is about to eat them, an animated red fox jumps out at him, and throws back his foxy head to reveal a pink mohican hair-cut. The fox is suddenly donning a black leather jacket and holds an electric guitar, upon which he unleashes a roar of heavy metal, and head-bangs his newly acquired pink do to the music.
Horrors! thinks I, my two fave things have now taken on a rather bizarre, Japanese-TV-inspired aspect!
I couldn't locate these adverts on YouTube, but I found an old ad for Kinoko no Yama which is quite endearing. The closing scene of the characters dancing around the toadstool brought to mind my days in Brownies, when as a Leprechaun (in England) and a Muluka (in Australia) we danced around a brightly painted wooden toadstool, on which was perched the sacred brown owl (as opposed to the living Brown Owl, who's weight would not have been accommodated by said toadstool).


